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My short descriptio There are a lot of descriptive statistics in here and I think it would be better with more in-depth case studies. Jun 23, Chanelle rated it liked it. Overall, I enjoyed this book and wish I could give it a 3. Though, as others have noted, it is quite tedious in parts. Florida is thorough in his definition of the Creative Class which I found insightful and personally validating and examination of aspects related to this group.

The section on Community particularly the chapter on Place was well written. This is a vast and comprehensive undertaking and still manages to feel oversimplified simply due to the complexity of the issues being discussed.

Florida is a good writer and manages to make complex data population density, income versus wages, regional economic development, etc. I found most of his arguments to be thoughtful, engaging, and above all worthy of discussion.

The rise of insight for city planner Creative planners will be given lots of insight on how they look their cities redevelopment. It is a gift for a few deliberate investors to look forward at present. Nov 27, Austin Rose rated it liked it. This probably would've been a more fascinating book 10 years ago, but now a lot of the insights seemed obvious and like things I already knew.

However, it was interesting to see class and generational and educational gaps framed in this way. Oct 01, Vincent Weir rated it really liked it. Enduring framework that shows how companies, cities and countries stay competitive in a world where the creative worker is in control. Dec 30, Lindsay King rated it really liked it. An interesting take on the fundamental shifts happing in our society from a labor standpoint.

While the data and research is impressive, I did find the idea of the "creative class" a bit vast and nebulous. However, the broad framework that Florida proposes has provided me with new and interesting ways of thinking about our economy, our workforce, and my place in it. Worthwhile to understand the growing tensions in American society and their economic underpinnings.

This book, an updated edition of a book originally published in looks to answer these questions, and it is one of those rare books that I walked away from, quoting a lot, particularly when the topic of innovation came up time and time again in the recent election in my country. This book is the explanation for how the world is slowly being framed, You Will Rise (Bombululu Revisited 12) least in the big metropolises of the world, for that type of person.

How the creative class is focused on working for interest and challenge, not just money and how strangely enough, this very attribute means they often do end up earning more money than their non-creative counterparts. I read the second half of this book on a train journey from Boston to New York, and it felt very appropriate — Boston is the city I want to eventually move to, New York the mecca of all things new and shiny. This book is about all those things.

I watch my own city, my own country, the few trying to fight the many who just want a laid back casual life that is simple and easy, fighting our changing world, fighting the dynamic place we could be, and I despair. Oh well, its always hard being ahead of the curve.

All in all, a truly fabulous read that resonates powerfully. The future is going to be amazing if we only embrace it! Sep 18, Mike Steinborn rated it really liked it. Despite being a little heavy on the statistics, this books gives an interesting insight into and analysis of a new class of people that Florida has identified You Will Rise (Bombululu Revisited 12) the Creative Class to stand beside the older existing Manufacturing Class and the Service Class.

Empowered by the possibilities and tools of the Information Age, Creative Class people are characterized by creativity and innovation in their work. On average, such people, no matter what work they are involved in though some fields are Despite being a little heavy on the statistics, this books gives an interesting insight into and analysis of a new class of people that Florida has identified as the Creative Class to stand beside the older existing Manufacturing Class and the Service Class.

On average, such people, no matter what work they are involved in though some fields are more prone to creativity and innovation than others earn higher wages and when present in sufficiently large numbers in a geographical area, contribute to a general increase in average income and an improved socio-economic condition of the whole area. Interestingly, despite the popular idea that the Information Age has made the world flat, geographical space is an important factor in the location of Creative Class people, who prefer urban areas characterized by You Will Rise (Bombululu Revisited 12), technology, and tolerance.

These not only provide the professional incubator they need to achieve their work, but also help meet the quality of life requirements demanded by such people. A worthwhile read for young people looking for ideas of which profession or career to launch into, for older people looking for a change, and for just getting a better understanding of a phenomenon that you may have caught a glimpse of but couldn't quite put your finger on.

Like Toffler and Gladwell before him, Florida does an excellent job of bringing into focus something that, while it is not yet quite clear as to where it's heading, will undoubtedly have an impact on the future of many of us. A follow up to Florida's groundbreaking "The Rise of the Creative Class," this "revised and expanded" new edition is practically a new book.

Every chapter receives a thorough-going revision based on new data, critical responses to the first edition, etc. If you've previously read "The Rise of the Creative Class," you will want to read this new version to get up to speed with the changes in both theory and practice.

If you've not read the first book, then thi A follow up to Florida's groundbreaking "The Rise of the Creative Class," this "revised and expanded" new edition is practically a new book. If you've not read the first book, then this is a must for anyone interested in sociology, economic theory, economic development, etc. Florida's book is not only full of important ideas for improving cities now and preparing them for the future but is also wonderfully readable.

He enlivens what could be dull statistics with interesting stories and anecdotes as well as with insightful commentary. The book is a pleasure to read and the ideas are stimulating. I especially recommend this book for all my former colleagues in the arts world who are forever being asked to justify the existence of arts organizations by potential funders.

The Creative Class, including artists, are shown to be the true economic engines of the world today and into the future. May 05, Matt Bodien rated it really liked it Shelves: economics. Bursting full of thought provoking trend research My favorite learnings The Creative Class basically engineers, producers, artists, architects, businessmen, entrepreneurs, etc. They originate from a mesh of the intellectuals from the 60's and the protestant work eithic, to form the 90 hour work week working in a flimsy style.

This is Google to a T. Interesting study around where the Creative Class Bursting full of thought provoking trend research Interesting study around where the Creative Class works in the country and how to attract them.

Lots of urban planning insights around what really matters to attract businesses Also interesting to point out that people pay to be around other people, otherwise there wouldn't be expensive rents and real estate prices in urban areas.

Nov 21, Mike Horton rated it it was amazing. A fantastic revisit of his classic, Florida reexamines his theories about the Creative Class, the modern workforce whose very existence is causing change in the way businesses recruit and retain a powerful workforce and how cities and urban centers are retailoring themeselves and their amenities to remain competitive as attractive places to live, work and play.

A must read for any student interested in public policy and administration and urban planning. Feb 14, Kelley Jansson rated it really liked it. I've heard some of the theories presented in this book's earlier edition were fairly controversial, but the author has defended himself fairly well. There is certainly a lot of evidence that creative types group together in this book and in others, so perhaps the hard-core data has finally caught up with the theory.

I found the "quality of place" discussion to be particularly alluring. What's a community to do if they can't attract a high-tech company with tax incentives? Florida doesn't present I've heard some of the theories presented in this book's earlier edition were fairly controversial, but the author has defended himself fairly well.

Florida doesn't present the "place" case as a Plan B, but rather as an equal Plan A. In my mind, "quality of place" is certainly an important component of economic development, although harder to explain to the masses. In the end, it's human capital that all communities need. Jul 11, Chrissy rated it liked it. Ironically a book about the Creatives is more laced with statistical research than I had expected. In any event the notions listed in this book are very thought-provoking though they can be heavy at times.

This book would be a bore to anyone who is a creative that doesn't believe in the analytically framework that science tries to place on the way their brain functions.

As someone who teeters the line of creative and logical, this book was very You Will Rise (Bombululu Revisited 12). A rework of the argument made in Flori Ironically a book about the Creatives is more laced with You Will Rise (Bombululu Revisited 12) research than I had expected.

A rework of the argument made in Florida's original book I works very-well because years later we are seeing the economic impact of cities more accepting of creatives. Dec 19, AJ Calhoun rated it did not like it. Completely devoid of content, arrogantly a study of Pittsburgh the city Florida is from rather than any city which actually speaks to the issue, the citations are all books an educated person will have already read and often it is evident that Florida has not read or understood specifically the economic texts he cites.

All in all while his ideas may be somewhat true, they have been said numerous times before better than he is saying them. Flip through this book, don't waste your time reading it. Jul 22, Josh is currently reading it. This is an interesting read on the heels of Johan Lehrer's "Imagine. Florida is looking at the creative class in a broader sense and from a more economic perspective. The reading is more dense, but as an Art teacher trying to really delve into the basis of what I am teaching, and why, this is another great resource.

Feb 07, Sippy rated it liked it Shelves: maatschappijamerica. Florida makes some interesting points, but not always in an interesting way. There's no added value in completely writing down the exact same information in the table in the opposite page for example. He would have benefitted from stricter editing. As a result I have found myself scanning some chapters and paragraphs.

But the beginning and the end I did mostly find very worthwhile, so a fair 3 stars for Florida in the end. Sep 12, Deb Tregilgas rated it really liked it. The Denver Post. The Malay Mail. The new Rolling Stone album guide. Rolling Stone.

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