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Untitled - Cacophony 33 - Unreleased Volume 1 (Cassette, Album) download full album zip cd mp3 vinyl flac

Download Untitled - Cacophony 33 - Unreleased Volume 1 (Cassette, Album)
Label: Park Holme Recordings - PH20 • Format: Cassette Album, Limited Edition, Numbered, Stereo C90 • Country: UK & Europe • Genre: Electronic • Style: Experimental

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Views Read Edit View history. Help Community portal Recent changes Upload file. Download as PDF Printable version. RIAA : Gold [5]. RIAA : Platinum. RIAA : Gold. Six months later the label then asked again to release the LP, but Akita decided to record new material — which became Material Action 2 N.

Includes reworks of past recordings with added effects and new instrumentation. The liner notes were to have been written by Fred Frithwho heard the tape and liked it.

Conceptual works manipulating various inputs using feedback processed audio mixer. Inspired by Stan Brakhage 's scratched films. Featuring a four track tape recorder found in Album) street, Untitled - Cacophony 33 - Unreleased Volume 1 (Cassette.

A different sound was recorded on each track, Untitled - Cacophony 33 - Unreleased Volume 1 (Cassette then played back randomly.

The first Merzbow LP. Sounds include styrofoam and a typesetting machine Kiyoshi Mizutani worked at a typesetting company at the time. Includes raw material from Material Action for 2 Microphones. First release on ZSF Produkt. Akita changed the name of his label since he wanted to release other artists. Featuring the Synare 3which was later destroyed by Bara on stage in the late 90s. Title inspired by the Nyingmapa school of Tibetan Buddhism.

Made with different equipment and instruments than other recordings of the same period. Featuring instruments recorded on tape, then slowed down or played backwards. Originally intended to be the second Merzbow LP, but it went unreleased. Includes outtakes from Ushi-Trawhich is from the same period.

Loops were included on Loop Panic Limited. In the 80s Masami Akita had a mail art project called Pornoisein which he made collages using discarded magazines — in particular pornographic magazines — taken from the trash. These were then sent along with his cassettes, the idea being that his art was like cheap mail order pornography.

Field recordings on "Dynamite Don Don" include street sounds recorded from a moving bicycle, and a house being demolished across from Akita's apartment.

Some other samples are from horror films. Additional tracks from the Pornoise 1kg sessions. Original release had different track titles. Includes unused tracks for Untitled - Cacophony 33 - Unreleased Volume 1 (Cassette with Memorial Gadgets. Original recordings for the Batztoutai with Memorial Gadgets album. First of two cassettes made with raw material from EcobondageVratya Southward being the second.

Second cassette made with raw material from Ecobondage. Masami Akita posted photos of the procession on his blog in First two of three performances. First performance was stopped for being "too wild", so they then played more conventionally.

Includes Batztoutai material on backing tape, and Russian radio. Due to issues with sound quality, the recording was edited for the LP release. The full-length recording is released here for the first time.

The working title for the album was War Storagewhich is now used for the track titles. Names are taken from the Latin names of the Dsinezumi shrewJapanese stoatand Japanese least weasel.

From a concert with Achim Wollscheid: first Merzbow played, then Wollscheid played using a recording of Merzbow's set, then Merzbow and Wollscheid played together.

SCUM was project to create new works out of previous Merzbow sessions using cut-upseffects, and mixing. The Untitled - Cacophony 33 - Unreleased Volume 1 (Cassette titles influenced by American post-war art.

The EP on Vertical Records was remixed and released without permission, with the cover made using one of Masami Akita's collages. So, I'm agreed. But EP is still bootleg. During the European tour inMasami Akita could only bring simple equipment, and created a new live electronics style, different from his acoustical and tape based studio work, leading to the harsh noise Merzbow became known for in the s.


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